When the curtain rose at the London premiere of the play Peter Pan in 1904, it unveiled a drama of flying children, fairies, and pirates that would soon become a classic—and inspire countless spin-offs, adaptations, and reinterpretations. On the cinematic side, these began with the 1924 silent-film version of the play, starring Anna May Wong as Tiger Lily. Disney’s animated Peter Pan (1953) has been described as “ageless” (though one wonders if critics took note of the decidedly dated, stereotypical depiction of Native Americans), while Steven Spielberg’s Hook (1991) told the story of a grown-up Peter’s transformation into a mature father.
With all the world in strife, one might think the moms of New York would cut each other some slack.... That motherhood, in short, would serve as a safe house where civility and mutual respect rule. Think again. Motherhood, for all its well-documented joys, has become a flash point for envy, resentment, and guilt.
—Ralph Gardner Jr., “Mom vs. Mom,” New York, October 21, 2002
"One might think,” in other words, that mothers could comport themselves in a more seemly manner. Because if we don’t get ourselves under control, we’re going to explode.
It didn’t matter that the outcome was predictable, that Beth Hogan would invariably be crowned Miss America. We competed fiercely, as if we expected to win. A year earlier, when we were in fifth grade, we held séances, but now we staged beauty pageants as if our lives depended on it, as many as four or five a night.
The year my oldest daughter turned 4, her little sister was born, and that spring, in desperation, I let her play more or less unsupervised in the neighbors’ yard. When I came up for air from the endless diaper changes and nursing sessions, I’d catch a glimpse of her through the family-room window. Sweaty, dirty, and wild-eyed, she ran behind the neighbors’ pack of crazy, good-natured, and mostly unsupervised boys.
In this era of social conservatism, the so-called mommy wars, and renewed cultural clashes about gender, work, and “family values,” it’s hardly surprising that nanny narratives are making a comeback. Faster than you can say “supercalifragilisticexpialidocious,” nannies have popped up in movies (Uptown Girls) and bestselling novels (The Nanny Diaries, I Don’t Know How She Does It), as characters on tv shows (Friends, Kevin Hill, Desperate Housewives), and even as a subgenre of reality tv (Nanny 911, Supernanny).
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