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I felt very much out of the lezzie-loop yesterday when I found out that Sarah Waters' second novel, Affinity, has been made into a movie and was the opening night film at Frameline this summer.

Say what you will about the shock-schlock, soft-core oeuvre of filmmaker Russ Meyer, the man was definitely ahead of his time when it came to showcasing the hips-lips-tits-power! aesthetic that would eventually become inextricably linked to third-wave feminism. His best-known work, 1966's sinsister thrillride Faster, Pussycat! Kill! Kill!, has come to be regarded over the years as something of a prefeminist classic, but even those who cock a skeptical eyebrow at the equation of big-breasted go-go dancers + homicidal karate chops = empowerment can probably appreciate the film's gonzo exuberance, as well as its arresting black-and-white cinematography.

...for Estelle Getty — also known as the Golden Girls' Sophia Petrillo — who died today at age 84. Though her shoes were undoubtedly tiny, has any sitcom actress really filled them since? That's a rhetorical question, by the way, since each and every one of those smartypantssuited retirees kicked ass, but today's about Sophia. So share your favorite "Picture It: Sicily, 1912..." moments in the comments section, why don'tcha?

Okay, so maybe it is the heat of the office making me unusually cranky on this Friday afternoon but I just have to write and ask, what is the deal with the Oprah phenomena, and particularly the magazine?

Now I know these may not be popluar thoughts to have these days, but I've got two questions (among many) that have been burning a hole on my mind that makes this whole love fest just not add up for me. 

Thanks to Jennifer Pozner for defending Pam's choice of reading material.  If we're lucky, Ms. Anderson will propel Unmarketable into the best-seller world the same way Posh Spice did for Skinny Bitch.