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The Cold Shoulder

Saving Superheroines from Comic-book Violence
The Cold Shoulder
Article by Shannon Cochran, appeared in issue Super; published in 2007; filed under Books; tagged activism, comics, heroes, heroins, misogyny, superheroines, violence.

There’s a new Bat in Gotham City. Like Bruce Wayne, she’s a rich socialite by day and a black-clad vigilante at night. And, also like Bruce Wayne, in both incarnations she’s apt to sweep the ladies off their feet. Kate Kane, the new, revamped Batwoman, isn’t the first lesbian character to debut in the DC Comics universe, but she might have the highest profile. Last June, DC Executive Director Dan DiDio issued a press release saying the move was intended “to get a better cross-section of our readership and the world.”

Egos Without Borders

Mapping the New Celebrity Philanthropy
Egos Without Borders
Article by Summer Wood, appeared in issue Green; published in 2007; filed under Social commentary; tagged activism, Africa, celebrities, charity, philanthropy.

You can’t turn on the television or flip open a magazine these days without encountering an image of a star promoting his or her latest cause célèbre: Oprah handing out makeup kits at a women’s hospital in Ethiopia; Angelina Jolie visiting refugee camps (alone or with Brad Pitt); George Clooney zipping around in his tiny electric car and making speeches about Darfur; Jay-Z and Kofi Annan holding a press conference about global water issues; Madonna performing concerts against a backdrop image of aids orphans—and, more recently, bringing a motherless Malawian boy home with her after making a large donation to his orphanage.

Cornering the Market

Damali Ayo and the Business of Race
Cornering the Market

When Damali Ayo was 12, her parents sent her to day camp with 20 white kids. The kids were fascinated by the way Ayo’s hair maintained its texture in the pool. Even after she deliberately dunked her head in the water, they were convinced that black hair doesn’t get wet.

This experience stuck with her as she launched her art career in the predominantly white city of Portland, Oregon. Ayo often felt she was the token black person relied upon for opinions and advice precisely because of her skin color.

Scrambled Signals

Rivka Ketzel Solomon reflects on a childhood defined by her parents’ activism, Ms. magazine, and T&A tv

When i was growing up in the ’60s and ’70s, it didn’t matter that my parents were some of the earliest feminist leaders on the East Coast, that I grew up watching their activism from up close, or that I saw them live (not just profess) equality between the sexes. It didn’t matter that I was a girl hooked on Ms. magazine from the very first year it was out, that I regularly flipped through my mom’s copy of Our Bodies, Ourselves, or that I ravenously collected Wonder Woman comic books.