Escaped the 100-degree heat in Portland this weekend with a trip to blessed air conditioning to see Kung Fu Panda. And while you can't escape its exploitive racial sterotyping and fat-phobia, it did provide a good takeaway lesson for my 8-year-old daughter.
We've run articles on many a controversial subject here at Bitch, and readers have responded with appropriate ardor to such topics as fat suits, pro-porn theory, eating disorders, the "hasbian" phenomenon, and more. Yet some of the most impassioned letters we've gotten in the past year or so hinged on a short piece in issue #35 about the disturbing equine makeover of My Little Pony. (It's not archived on the site yet, unfortunately.) Responses to Jesse Rutherford's Love/Shove — which took a close look at the evolution of the 1980s toy-box staple and concluded that Hasbro's aesthetic tinkering has yielded an undeniably sexualized parade of ponies — ranged from assertions that it was "terrifically over the top" and "creepily overstated" to veiled accusations that Rutherford's interest in the redesign was "the kind of logic only someone who is unreasonably sexually obsessed with ponies would arrive at."
I was reminded of this the other day when I read a recent New York Times piece on the new makeover of Strawberry Shortcake, another classic of '80s playtime who continues to be a touchstone for girly nostalgia. It seems, according to the American Greetings company —Shortcake's sugar daddy — that today's girls weren't feeling the icon's Raggedy Anne styling, Calico-cat companion, and unhealthy preference for gumdrops over fresh fruit. (I was never a fan of the doll, so I can't verify personally whether I ever got the latter directive from Shortcake and her pals, but I will say that my childhood friend Pilar had the whole fruity family — Apple Dumplin', Huckleberry Pie, Orange Blossom — and the sickly, chemical scent of them emanated from her bedroom as a kind of pastel fog.)
Maybe I'm being too way too picky, but there is something deeply underachieving about Nerve's "Girl Power Top Ten," a list of the ten most—oh yeah, here it comes—empowering movies of all time.
Now, I would never come right out and suggest that perhaps having three dudes be the ones to make both of these judgment calls is going to, you know, limit the scope of things, but...okay, that's basically what I'm saying. Andrew Osborne, Phil Nugent, and Leonard Pierce, who coauthored "Chick Hits," get shirty in their introduction about the cluelessness of the media execs and pop-culture minders who've been so pleasantly surprised at the success of Sex and the City's big-screen bow, going on to write proudly that "We here at The Screengrab aren't afraid to get in touch with our feminine sides as we raise our Cosmos to these...films that put their empowered female characters front and center (without resorting to stripper poles OR big gauzy Prince Charming/Bridezilla wedding porn)."
"It is because of me — I definitely think [my show] has helped the movement," she told Usmagazine.com at the Hollywood premiere of The Love Guru on Wednesday.
"Before it came out, everyone was still a little apprehensive about [same sex relationships]," she said. "Then they realized, 'Wow, everyone is really into this stuff, and it is fine.' The next thing you know, [gay marriage] is legal."
For months now, articles about our "hook-up culture" have touted the fact that teens have been engaging in oral and anal sex instead of vaginal sex so that they can still call themselves virgins. The trouble is, it turns out that so-called fact is actually a myth.
Not a good week for the ladies, sports-wise. First up, in order of horrifying: The Chicago White Sox haven't been doing so hot, so they initiated a little "slumpbuster" that involved taking two female blow-up dolls and arranging them in the team clubhouse with baseball bats jammed into various orifices. Surrounding the dolls with players' bats, the team also stuck a sign on one encouraging players and clubhouse visitors to "push."
Lately, it seems there's been more discussion of what it means to be a man. Maybe because old school notions are becoming so unworkable that there's a critical mass of resentful partners in hetero relationships; perhaps Hilary's presidential run is raising some eyebrows in sheltered communities; certainly, movies like Knocked Up and 40 Year Old Virgin, which portray an alarmingly large group of American males that exist in perpetual adolescence, have attracted media attention.
Always a west coast gal, Amy has happily called Portland home for three years. Amy believes that nonprofit organizations don't have to lose their politics to grow and expand and also believes a goal of many nonprofits should be to work themselves out of a job, because that means you've achieved your mission. Amy lives in SE Portland with her family and loves to cook, read, hike, play cards, and go to the movies.
Andi is the co-founder of Bitch: Feminist Response to Pop Culture. A longtime freelance writer and illustrator, Andi's work has appeared in numerous periodicals and newspapers.
She passes her non-Bitch hours watching television and embroidering portraits of dogs, often simultaneously. Her other interests include painting, walking, candy, Scrabble, and the interrobang.
What I'm reading:
Operating Instructions, by Anne Lamott; Bonk, by Mary Roach; The Dangerous Joy of Dr. Sex, by Pagan Kennedy, many back issues of the New Yorker
What I'm listening to:
The Band, T Rex, Elton John's Madman Across the Water
Bitch co-founder Lisa Jervis's official bio makes her sound far more official than she actually is. She is not an international woman of mystery.
What I'm reading:
I can't update this page as compulsively as I do my goodreads.com profile, so you should check that out if you are really curious.
What I'm listening to:
My pandora.com "avant pop" station.
What I'm watching:
Square Pegs, newly out on DVD
Great documentaries like Sir, No Sir and things by Errol Morris Buffy, 'cause I'm always watching Buffy
Silly summertime romantic comedies, because sometimes I am a sucker